I work with images, language, and structures that already exist, treating them as material rather than reference. My practice often begins with found content, personal archives, or cultural artifacts, which I measure, translate, reconstruct, or reframe through controlled systems and deliberate constraints. These processes allow me to examine how meaning is produced, stabilized, and distorted over time.
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What may appear controlled or analytical is often driven by the need to hold together fragments of experience. I use order not to resolve meaning, but to reveal what cannot be contained.
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Rather than seeking resolution, I use art as a space where opposing states can coexist. The work remains open, unstable, and aware of its own limits, reflecting a reality shaped as much by systems as by the human impulse to resist them.