
MAMMUT
UV-print on Alu-Dibond
50 x 50 cm
2024

POÄNG
UV-print on Alu-Dibond
50 x 50 cm
2024

PJÄTTERYD
UV-print on Alu-Dibond
50 x 50 cm
2024

ALMTJÄRN
UV-print on Alu-Dibond
50 x 50 cm
2024

MÄVINN
UV-print on Alu-Dibond
50 x 50 cm
2024

IKEA PS 1995
UV-print on Alu-Dibond
50 x 50 cm
2024

BRÄNNBOLL PUFF
UV-print on Alu-Dibond
50 x 50 cm
2024

MÄVINN TÄCKE
UV-print on Alu-Dibond
50 x 50 cm
2024

BRÄNNBOLL
UV-print on Alu-Dibond
50 x 50 cm
2024

KNALLA
UV-print on Alu-Dibond
50 x 50 cm
2024

BRÄNNBOLL KORG
UV-print on Alu-Dibond
50 x 50 cm
2024

NISSAFORS
UV-print on Alu-Dibond
50 x 50 cm
2024

SKOGSDUVA
UV-print on Alu-Dibond
50 x 50 cm
2024

STJÄRNÖ
UV-print on Alu-Dibond
50 x 50 cm
2024

TORKIS
UV-print on Alu-Dibond
50 x 50 cm
2024

TJENA
UV-print on Alu-Dibond
50 x 50 cm
2024

KNODD
UV-print on Alu-Dibond
50 x 50 cm
2024

PRESSA
UV-print on Alu-Dibond
50 x 50 cm
2024

MÖLNÅS
UV-print on Alu-Dibond
50 x 50 cm
2024

PLATSA
UV-print on Alu-Dibond
50 x 50 cm
2024

SKURUP
UV-print on Alu-Dibond
50 x 50 cm
2024
TEXT:
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In this series, I work with commercially optimized photographs sourced from online marketplaces. I digitally dismantle each image until only a single, unique pixel remains identifiable. I then duplicate and reinsert that pixel into the composition, deliberately placing it where it does not belong.
​
The intervention is minimal, almost imperceptible at first glance. Yet this small displacement interrupts the visual coherence of images designed for effortless consumption, revealing the constructed nature of scenes that promise comfort, desire, and perfection. What appears neutral and familiar is exposed as a carefully engineered spectacle.
​
For me, the pixel functions as both image and unit of value, a fragment through which photography no longer reflects reality but actively participates in shaping it. By disturbing the seamless surface of commercial imagery, I question how visual culture normalizes consumption and transforms desire into an economic resource.
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Through this series, I approach the image not as documentation, but as infrastructure: a system that produces meaning, behavior, and expectation. Within this system, the misplaced pixel becomes a quiet act of resistance, a subtle reminder that what we see is never innocent, and never complete.