Alex Manea 

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     Creating art is a multifaceted endeavor, requiring a deep appreciation for art itself, a respect for fellow artists, and a willingness to be influenced. The true essence of artistic creation lies in the ability to communicate one's unique messages through new works that integrate elements of reinterpretation, enhancement, and innovation drawn from the works of admired artists.

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     While this notion may appear unconventional, it is a fundamental truth: absolute originality in art does not exist. Art invariably originates from preceding art. This concept, though often misunderstood and rarely discussed, underscores that all art is, to some degree, derivative. Even the most ostensibly original works can be traced back to earlier influences.

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     In light of this, I have embarked on a project aimed at elucidating this reality. My goal is to illuminate for the public the often-unseen connections between my creations and the works and artists that have inspired them.

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     In certain instances, the sources of inspiration are readily apparent; in others, they are more obscure or nearly indiscernible. This variability is a reflection of the diversity among artists and their individual perspectives. Each artist channels their own thoughts, motivations, and emotions into their work. Consequently, when an artist draws from another's oeuvre, these influences are frequently transformed through personal interpretation, altering the concepts, techniques, and final presentation to such an extent that the original source may no longer be recognizable.

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     This series prioritizes its overarching concept, with each work's theme chosen independently to avoid interfering with the general theme. The inspiration drawn from other works varies; it can be conceptual, aesthetic, or a combination of both.

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     It is important to recognize that any artist's body of work will exhibit subtle or pronounced similarities to the works of others, making a comprehensive list of examples superfluous. Art critics and professionals within the art world often erroneously or maliciously draw comparisons between works, regardless of actual inspiration or influence.

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     To address this, I have included several previously created pieces that are not part of this series. These works, like most art, share elements with other creations, facilitating subsequent associations. However, the specific identities of these pieces will remain undisclosed to allow viewers, regardless of their level of artistic training, to draw their own connections between works, whether or not a direct link exists.

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     Conversely, each piece within this series will explicitly acknowledge the corresponding works that served as its inspirational foundation or with which it has been later associated by myself. This approach ensures transparency and invites viewers to engage with the intricate web of influences that shape contemporary art.

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     By tracing these connections, I am not seeking to catalog influence exhaustively or define a hierarchy of inspiration. Instead, the series allows me to confront the ways in which my own work emerges through engagement with others, revealing the intricate, often hidden threads that link past and present. In doing so, I acknowledge that creation is never isolated, and that originality is a matter of transformation rather than invention. The process of making these works becomes an exploration of lineage, a reflection on how ideas persist, mutate, and reemerge in unexpected forms across time.